When I was a child, Durga Pujo did not come with calender dates, not really. It came when suddenly in the middle of a dreary September, the first bamboos were hoisted by the workers, a sign that the pandals would arrive soon enough, when the huge advertisement billboards of innumerable brands were strung up all around the city, from shampoo to food, when the first issues of Anandomela and Anandolok came to fill up the entirety of the newspaper and magazine shops in the streets.

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When I was a child, Durga came with the last half-day at school before the holidays came ringing in, she came when the last pages of the mid-term exams were submitted to a solemn class teacher, she came when my friends and I half-heartedly trudged towards school to attend the compulsory last day on Panchami.

 

When I was a child, Pujo came with bittersweet happiness, with silent excitement, with innocence not yet lost.

 

If someone would have told me then, that the goddess would be strung up in the city, bartered in the name of religion, and questioned for her affiliations, I would have looked at that person with a blank look of astonishment.

 

When I was a child, my next-door neighbor and resident best friend in the locality was a Muslim girl of my age who would always accompany me, along with her little brother, as my father took all of us to buy the endless paraphernalia required to dress ourselves with in the Pujo.

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And then, after the odyssey of shopping was finally completed, my sister and I would curl up with an issue of Anandomela and laugh her heads off as the different caricatures of the goddess with her brood of children colored the pages of the magazine, portraying her as she begun her southward journey from Mt Kailash.

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There used to be so many colors then, the goddess traveling on a water jet with her children, her son Karthik obviously standing like a king on the deck, pictures of the divine family ready to celebrate Pujo with guitars, drums and cellos, and even some where her husband Shiva would come to drop the family off on his bike. I remember how those evenings were the best part of pining and waiting for the Pujo days to arrive, the days where I was excruciatingly excited to wear my new dresses, munch on every unhealthy street food I could get my hands upon, and see as many idols in the pandals as possible.

 

And then there were the newspapers of course, when come the morning of Panchami, the incredibly long list of pandals around the city was published by Anandobazar Patrika, and my sister and I would stoop over, red sharpie gripped on hand, marking which pandals we would be visiting in the coming days, my mother of course muttering something along the lines of how her hooligan children would eat till their stomachs burst.

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But now, the sounds have departed, the smiles have become cajoling diversions and the warmth in the embraces have long left our limbs. Because, somehow, somewhere, someone asked the question: Who does the goddess come for?

 

Is Durga for us Hindus, is she for the Muslims, or is she for the Christians? If she is a Hindu goddess, why does the Muslim children in our localities buy clothes that are assorted for Ashtami and Nabami still? Why do the younglings still visit Bow Barracks and Park Street and gaze at the glittering evening lights? Pardon my french, but why the hell does Chetla Agroni Sangha and Mohammad Ali Park are still allowed to host their own Durga Pujo, when clearly the leader of one community is a Muslim man and the other is named after a Muslim himself? After all, as someone says, Durga is a Hindu goddess.

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So why, I ask, rather plaintively, does Mr Jawed Habib dare to have the audacity of insulting our Hindu goddess in his marketing campaign, and produce a caricature where the goddess and her children are happily getting ready for the Pujo? Why is Durga allowed to wait while Karthik gets a facial and Ganesh a pedicure? After all, Mr Habib is a consumer of beef, a Muslim, a criminal, an utter disgrace to all us great Hindus and their exalted goddess. He should never be allowed to commit the blasphemy of so much raising an eye to our Hindu goddess.

 

I am a sinner too. You see, I have been going to his chain of parlors for the last decade. I started out as a silly brat at fourteen who wanted nothing more than the long flowing tresses of our Hindu goddess and now I actually do have that hair, all thanks to the years of undying persistence of my favorite hair stylist in the parlor. I remember the number of times I broke bread in the shop of this Muslim man, the number of times I drank his water, the number of times I visited every new branch that cropped up in Calcutta during their grand openings.

Furthermore, I remember one of my father’s closest friends, a tailor in the heart of Metiaburuz, a Muslim man, I confess, who would send the most beautiful bunch of colorful frocks for my sister and me, every year, a man who would send the most delectable shimui as his blessings for Eid, and how his son, a man I grew up calling my brother, would come to bless us during Pujo, break bread with us once the austerities were over with the prosad our family cooked for our 150-year-old Durga Pujo. I remember how beautiful his wife, my boudi, had looked when on one year, my mother had lovingly colored her cheeks with sindhur (vermilion) during the last hours of Dashami.

 

And yet, no one in my family, not my loving father, not my usually strict mother and definitely not my crazy-as-the-Mad-Hatter sister told me that I was a sinner. No one told me that Kaku or Dada were Muslim, untouchable, unwelcome, and somehow, I grew up considering them just as we were, humans.

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Perhaps that was my childish foolishness, but in a world where goddesses are cut open, their intestines spilled out to see the color of their blood and count the faithfuls they cater to, maybe the opinion of a child is the only thing that can save us all.

 

And maybe, just maybe, Durga is not a Hindu goddess, maybe her brood of adorable children are not only for the ones who pray to cows, maybe she is for all of us, for our families, our friends, our acquaintances, and even our rivals. Maybe, just maybe, Durga is for every Bangali across the globe. Just think, what a beautiful world that would be.

 

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2 thoughts on “For Whom Does the Goddess Arrive?

  1. Beautifully written Sugandha. It brought back a lot of memories of shopping, eating, pandal hopping and the late night addas in front of our pandal. I wish everybody could just enjoy this time of the year without making an agenda out of every thing

    Liked by 1 person

    1. Thank you so much, Sudeshna! It is tragic how even the goddess Durga and the innocent happiness associated with her celebration have become issues to be used in a political or a religious contest. It really does hurt the essence of what Durga Pujo really is to every Bangali out there.

      Like

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